This isn't for you if ALL of the following applies: you're an editor with a waitlist, you have loyal clients you've worked with for years, you've raised rates while maintaining demand, and you're editing at a speed of 300-400 images per hour without sacrificing quality or consistency.

If ALL of the above don't apply — yes, this is for you. This course is not just about "basic editing". The editing module is only one of SIX total modules — this is a fully comprehensive course, jam packed with value no matter how experienced you are in any portion of this industry. The community, done-for-you templates, and system steps alone are invaluable to setting up an efficient and profitable editing business as quickly as possible.

Take a look at what previous experienced photographers have said:

In those 12 editing lessons, discover: pro shortcuts, next-level tool settings, and Lightroom workflows/shortcuts that empower you to work towards editing speed skills to consistently tackle 300+ images per hour.

The editing lessons are about mastering editing as a sought-after, luxury service that is very different than editing your own work. Regardless of your experience as a photographer, this editing portion of this course isn't just the basics the way you understand them.

This isn't for you if ALL of the following applies: you're an editor with a waitlist, you have loyal clients you've worked with for years, you've raised rates while maintaining demand, and you're editing at a speed of 300-400 images per hour without sacrificing quality or consistency.

If ALL of the above don't apply — yes, this is for you. This course is not just about "basic editing". The editing module is only one of SIX total modules — this is a fully comprehensive course, jam packed with value no matter how experienced you are in any portion of this industry. The community, done-for-you templates, and system steps alone are invaluable to setting up an efficient and profitable editing business as quickly as possible.

Take a look at what previous experienced photographers have said:

In the 12 editing lessons, discover: pro shortcuts, next-level tool settings, and Lightroom workflows/shortcuts that empower you to work towards editing speed skills to consistently tackle 300+ images per hour.

The editing lessons are about mastering editing as a sought-after, luxury service that is very different than editing your own work. Regardless of your experience as a photographer, this editing portion of this course isn't just the basics the way you understand them.

Absolutely! Outsourcing photo editing is widespread, especially in the wedding and portrait photography industry. Not ALL photographers think editing is easy or cannot afford the time/energy to edit.

Out of the hundreds of thousands photographers around the world... an editor would only need a handful of clients to earn a "full-time" income.

This service is more valuable to photographers that prefer a careful, and detailed oriented human eye for their editing. They trust and value working one-on-one with an editor on their team.

While it might seem surprising, wedding + portrait photographers often seek out editing services. Most of them manage their business solo, juggling not only shooting and editing but also client management, communication & on-boarding, social media marketing, scheduling + shooting sessions, publication submissions, and regular blogging. (Yeah... it's a lot)

Wedding and portrait photographers aren't outsourcing because they are incapable of editing or using editing AI tools — these are creatives that prefer a dedicated editor capable of collaborating on their team. Even with the fastest and easiest editing tools They're seeking trusted editors to free up their tie, and the creative, mental load that comes with editing. This allows them to concentrate more on client relationships and even enjoy more personal/family time, given their often busy evening and weekend schedules. In essence, outsourcing lets them work more ON their business, rather than solely IN it.

Absolutely! Outsourcing photo editing is widespread, especially in the wedding and portrait photography industry. Not ALL photographers think editing is easy or cannot afford the time/energy to edit.

Out of the hundreds of thousands photographers around the world... an editor would only need a handful of clients to earn a "full-time" income.

This service is more valuable to photographers that prefer a careful, and detailed oriented human eye for their editing. They trust and value working one-on-one with an editor on their team.

While it might seem surprising, wedding + portrait photographers often seek out editing services. Most of them manage their business solo, juggling not only shooting and editing but also client management, communication & on-boarding, social media marketing, scheduling + shooting sessions, publication submissions, and regular blogging. (Yeah... it's a lot)

Wedding and portrait photographers aren't outsourcing because they are incapable of editing or using editing AI tools — these are creatives that prefer a dedicated editor capable of collaborating on their team. Even with the fastest and easiest editing tools They're seeking trusted editors to free up their tie, and the creative, mental load that comes with editing. This allows them to concentrate more on client relationships and even enjoy more personal/family time, given their often busy evening and weekend schedules. In essence, outsourcing lets them work more ON their business, rather than solely IN it.

First — the majority of our biggest student success stories start out as complete beginners (that never had prior experience as photographers or editors). If they followed the coursework, marketing to their chosen niche/style, they found and booked their first clients! Again, this course holds your hand through every single step.

Like every freelance journey, if you want to find work you cannot let your fear of rejection prevent you from landing your dream clients. If you're starting from scratch — the course lessons will help Guide you to building your credibility and skill (these are milestones you'd achieve in any other career).

You HAVE to be willing to spend time refining your skills, growing your business, and building experience to find great clients. The course takes the guesswork out of "where to find clients" — empowering you to not only "find leads", but attract and book your dream clients that are the most aligned with you and your goals.

Remember, 2 of 6 modules in the course are dedicated to attracting leads, marketing, and finding those very first clients to get the ball rolling. I give you every single tool, script, and blueprint that should launch you on the

Cliche aside, if I had let this stop me from starting businesses in the past decade — I wouldn't have a successful business model to teach you. Starting a business is daunting, especially in freelancing. Those "What ifs?" like not earning enough or fear of not being liked? Totally normal. Take a moment. Trust in yourself, your resources, and your potential. I've launched four businesses, and yep, I had the jitters each time.

Kimberly, one of our Guide members, says it best: “The real failure is not giving it a shot. This program? It's your step-by-step guide to photo editing. It’s been a game-changer for me."

Set clear, achievable goals and stay committed. You don't want to look back with regrets. Dive in, grow, and know your worth. Charge confidently and pursue what fuels your passion. Remember, plans might shift, so adapt and don't be too hard on yourself. Everyone's freelancing path is unique. Embrace yours.

Because the program is self paced, this is entirely up to you. We have had students finish the program within one month and begin working with their first clients within a few weeks.

The better question is: how many times can I make back this investment? For me, I would make back this investment 100x EVERY single year I edited full-time.

Most students that have booked their first clients within 2-8 weeks of launching make back their investment with the first few jobs with their first client.

You could be able to earn your investment back within the first few jobs from your first client (depending on the type of jobs/quantity of photos that client sends you). For example, it would require me to edit 2 weddings to replace the investment of this course (during busy season, I edit over 10+ weddings per month).

If you’re able to keep the first client that you book, think about the recurring revenue you can earn as their ongoing photo editor for future seasons/years. Remember — to make this business as simple and profitable as possible, this program’s goal is to train you to provide such an amazing client experience that will allow you to keep your same clients year after year.

It's your business — as with all freelance careers, you have full control over the amount of clients you take on: Some editors choose seasonal work or part-time, while some editors are achieving editing full-time. If you only have a few hours each day — you can take on 1-3 clients varying on their workload.

The course: Because this course is entirely self-paced with lifetime access, you are NOT pressured to go at a pace that does not fit your situation. You'll have LIFETIME login access 24/7 so you can work on building your biz whenever you have time.

On average, it has taken students 8-12 weeks to complete the course while dedicating about 15-20 hours per week to learning and creating their business.

The course can be accessed through any device in a web browser or mobile app (once you're inside the course you'll receive the link to access via mobile app — you can not access or find the app through the app store). Adobe Lightroom Classic does have its own computer system requirements.

Click this link to view: Adobe Lightroom Classic System Requirements

Note: you do not need to upgrade your laptop to complete this course. In the course, I Guide you through different options of computers/laptops, other tools, and suggested method of pricing/investing in a computer upgrade later in your journey after you have launched.

Upon purchase, enrollments will receive full access to the entirety of the course content. Due to the digital nature of the course and its contents, all sales are final and non-refundable. Purchase of the course includes lifetime access.

Payoff plans are NOT a monthly subscription or membership.

Payment Payoff Plans:
Those that choose payoff payment plans have purchased the course and have chosen a monthly payoff plan that suits them. The course will be paid off in its entirety after the term payments have been completed, after this, the monthly payments will end and the course includes lifetime access.

Payment plans are not monthly subscriptions or memberships that can be cancelled or refunded. (Think about the payoff plan like a short term loan — except, this education is much cheaper than your typical tuition)

Yes, you can live anywhere as a private photo editor and book clients all over the world, as long as you brand and market your services online appropriately for your niche (which I cover extensively in two Modules inside the course).

Guide students have booked clients located all around the world in fact - including but not limited to the Netherlands, Australia, UK, United States, Spain, and Canada.

The course includes lifetime access and is entirely self-paced. It's designed and available to be as accessible as possible, no matter your availability. You will never feel pressured or forced to complete the course within a timeframe or get kicked out of the course after a certain time. Complete this on your terms and always have access to it so you can return back for updates or a recap on any of the lessons!


I'll answer this as a freelancer, because everyone goes through this when they are starting out, even when they've had extremely thorough training that holds their hand step-by-step (psst — it’s called imposter syndrome):

The world is full of amazing freelancers so it’s easy to feel like a little fish in a big pond when you’re just starting out. You may notice that your specific niche is competitive and wonder why clients would choose to work with you over someone else who has more experience.

On the bright side, there is always plenty of work to go around for everyone, and the more projects take on, the more experienced you will become. You can also charge clients an entry-level rate that is relative to your experience and increase your rate over time as your value and experiences increased (these are strategies I go over in pricing detail in the Guide).

I'll answer from a general freelancer perspective. Everyone goes through this when they are starting out, even when they've had extremely thorough training that holds their hand step-by-step (psst — it’s called imposter syndrome):

The world is full of amazing freelancers so it’s easy to feel like a little fish in a big pond when you’re just starting out. You may notice that your specific niche is competitive and wonder why clients would choose to work with you over someone else who has more experience.

On the bright side, there is always plenty of work to go around for everyone, and the more projects take on, the more experienced you will become. You can also charge clients an entry-level rate that is relative to your experience and increase your rate over time as your value and experiences increased (these are strategies I go over in detail in the Guide's Pricing and Client Experience lessons).

On the note of skill: As with any technical or creative skill, it's a journey. The more grace you give yourself the more open you'll be to taking the steps to improve and refine your skill..